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Showing posts with label Think. Show all posts
Showing posts with label Think. Show all posts

Wednesday, June 13, 2012

So, You Think You'd Like to Start Speaking Professionally? A 7-Step Guide to Starting Your Business


David, a 59 year old divisional vice president with one of the largest and most renowned financial service providers in the world, is working harder and longer hours than ever before in his career. He travels extensively, is heavily scheduled, and earns an annual salary over $500K.

David finds himself at what is most probably his professional peak. He is well invested, fully insured, able to fund college educations for his children and is in relatively good health, albeit stress-related minor health challenges.

Barely making time for his favorite pastime of golf, he longs for a way to share his expertise without the management responsibilities that come with his job. His company takes full advantage of his expertise and his natural talent to train others in the company. Occasionally, he's asked to speak to a professional association.

David and I spent some time talking at a gathering of friends. We discussed ideas in which he could utilize his knowledge base in new and stimulating ways without having to work for the firm including interviewing his favorite authors about their philosophies of success building practices and then producing a series of CDs based on those interviews. David left the gathering a little more confident that he could have another career path of speaking full time.

It does not matter if you're a top producer in a commissioned sales business such as insurance or real estate or if you're a corporate leader who's ready to challenge yourself beyond the bounds of your organization or you're an entrepreneur leading the field...

These SEVEN STEPS will help you think more seriously about making a transition to professional speaking:

1. Identify your core competencies. What are the things that you do that have taken you to the top of your profession either in your geographical area or in your organization nationwide? Write a list and make it as long as you can. You can edit it later.

2. Create a list of facts about yourself that have distinguished your expertise and brought recognition to you and your organization. As an example, here is a list of facts I gathered in 2005 about Mark Victor Hansen so that I could utilize those in securing more speaking engagements for him:

o Has addressed 3 million people in 38 countries since 1978

o Bestselling author of 3 books: Chicken Soup for the Soul, Power of Focus, One Minute Millionaire

o #1 bestselling living author of a non-fiction series

o Created billion dollar brand with Chicken Soup for the Soul

o Only author in 2003 with two bestselling books on BusinessWeek Best-Seller List at same time (One Minute Millionaire & The Power of Focus)

o USA TODAY (March 2004) named five Chicken Soup for the Soul titles among the top 100 books from the first ten years of the USA TODAY Bestselling books list.

o Famous author Harvey Mackay said, "If you only real one book this year, read The Power of Focus."

o Recipient of the Book of the Year Award by the American Booksellers Association - voted on by over 20,000 bookstores who nominate titles that are the "hidden treasures in the adult and children's book categories

o Recipient of the Horatio Alger Association of Distinguished Americans which honors American leaders who have succeeded in the face of adversity and who personify the virtues and principles inherent in the success stories written by nineteenth century American author Horatio Alger, Jr.

o Inducted into 2004 Sales & Marketing Executives International, Inc.'s Sales and Marketing Hall of Fame - The Ambassador of Free Enterprise award

o Named 1999 Humanitarian of the Year by the National Conference for Community and Justice (formerly the National Conference of Christians and Jews

o 2004 recipient of the Dove Award - Visionary Philanthropist for Youth Award by Covenant House California

3. Compose a list of the major turning points in your life. What experiences did you have that helped you form who you are today? What childhood experiences did you have that demonstrated your tenacity, your positive attitude, your ability to help others communicate more effectively, your ability to turn a negative experience into one that benefited you? Being able to tell stories about yourself, your childhood experiences, handling crises, overcoming obstacles - those are defining experiences to which you can refer in building your signature speech.

4. Write a unique selling proposition about yourself. Make it two sentences which say, in short, "I am... I do..."

When others ask what you do, avoid saying, "I'm a speaker." How uninteresting is that? Plus, their next question will be, "What do you speak about?"

Why not say..."I am a management expert for personal bankers. I am an equity specialist for organizations who seek staff development training to produce highly qualified individuals regarding ongoing reforms in the banking industry."

Now, there's an opening for building a relationship.

5. Identify your target market. What industry will most benefit from your time and talents? What organization, either a company or an association, boot camp or public rally with multiple speakers, would benefit from your expertise? When you read about current events in trade journals, magazines and newspapers, think about how your expertise could create solutions for those organizations. Beyond speaking to these organizations, you'll have a natural outlet for your products and services.

6. Collect third party endorsements. List the names of business professionals who believe in you and your expertise... those who are your champions in the field. This may be one sentence from an individual or an entire thank you letter from someone. These people will be the ones who can verify your talent and your ability to teach others what you know effectively. If you're a top producer in real estate, this may be your broker, the regional director in your company or a real estate professional who has used your sales strategies and increased their own production. The two primary reasons that organizations will begin to hire you are facts and third party endorsements. I have seen top producers have an additional significant income from speaking part time because they only had their personal production and third party endorsements to secure paid speaking engagements.

7. Formulate your signature speech. Imagine that you have 45 minutes to teach others what you know. What would be the most important elements to cover? What principles have served you over the years? Oprah Winfrey has special page in every O magazine entitled, What I Know for Sure. What do you know for sure?

Going through the process of answering these questions is fun and productive. It is the beginning after which Internet technology can maximize your outreach, attract and position you within your target market. You may be among the new breed of speakers that comes from passion and purpose for which professional speaking is a natural evolution.




Mary McKay
Speaker Marketing Specialist
Turnkey Marketing for Experts Who Speak
http://www.TurnkeySpeaker.com
Get immediate access to 2 FREE Insider
Reports, including 7 Ways to Get Paid
to Speak.
Mary McKay Productions, Inc.
Mary@TurnkeySpeaker.com
(949)429-6646




Tuesday, April 17, 2012

Think Organic is Expensive? - Try Medical Bills


The American health care system has become a "sick care" system in which citizens pay more than in almost any other country (15% of our economy) only to count themselves among the most unhealthy people in the industrialized world. According to recent statistics, one third of Americans is obese, and countless others suffer from preventable chronic diseases. These days, amid threats of losing health coverage, perhaps the safest and most effective source of health insurance is prevention.

Foods that are processed, packaged, genetically modified or treated with chemicals are damaging the human body. The toxins in these foods are not recognized, and are, therefore, unable to be properly digested. They remain stored and, over time, cause disease. While upon first glance organic grocery options seem more costly, they provide, in fact, an invaluable savings -- financially and otherwise -- in the long run.

The misleading savings of fast food may cause some to believe that cheap meals lacking nutritional value are their only options. At a time when Americans are clinging to their every dollar, however, fast food is absolutely not an efficient use of resources. While "dollar meals" offered at many fast food establishments promise savings, they actually tax both the wallet and the body. When the body does not receive nutrient-rich food, it simply calls out for more. Extra-large french fries and soda may seem to satisfy, yet they are really just overworking the organs without providing vitamins and minerals necessary for optimal health. In addition, the empty meal leaves the consumer unsatisfied, lethargic and looking to eat (and spend) again shortly thereafter. Less food will satisfy the body's needs when a meal consists of organic whole foods, grains, fruits and vegetables.

Life is just too short not to provide the body with the best food available. If the old adage, "you are what you eat" is true, (which it is, literally, as the food we eat is absorbed and becomes our very blood, tissues and cells), then organic food is unquestionably worth the extra effort. Real food without toxic chemicals is less expensive than many seem to think. A bunch of organic kale at Stop and Shop costs about $1.00; organic collard greens cost under 50 cents; one pound of organic quinoa at Whole Foods (containing some 11 servings) is $2.99. Eating higher-quality food means spending less overall. A bag of conventional potato chips, devoid of nutrients and filled with chemical pesticides, disappears in moments, but one bowl of organic brown rice, vegetables and beans goes down slowly. You just can't eat more than one.

Buying organic can actually save money, with a little know-how: 1) Buy in season. Notice how much watermelon costs in December? Seasonal produce costs less. 2) Join a CSA. Community Supported Agriculture groups abound throughout the country. Members prepay for vegetable shares from an organic farm and pick up the freshest possible produce, as it is often harvested that morning or the night before. (localharvest.org contains information about CSAs). 3) Buy in bulk. Stock up on frozen or canned organics when they go on sale, and save on expensive packaging by purchasing from bulk bins. 4) Get support. Don't know where to start? Take a healthy cooking class or seek out a health professional who can steer you toward a healthier lifestyle.

The real savings from organic foods, however, lies in what Americans will save on medical expenses. According to a recent study published in Health Affairs, the average health care cost per American is $6280 per year (that's a lot of kale!). Some 70% of those dollars are spent on preventable diseases, such as heart disease, the leading cause of death in this country. The fact remains that healthy bodies get sick less often and fight disease more effectively. Bodies fed organic foods -- free of pesticides, herbicides, fungicides, and other chemicals toxic to the body -- will spend less on over-the-counter and prescription drugs, copayments, lab tests and hospital bills. These costs are no match for an extra 30 cents for organic carrots, an extra dollar for organic milk, an extra 75 cents for organic bread.

Rather than spending money on costly treatments after people are already sick, the focus must now shift to spending on prevention. A February 22 New York Times article on President Obama's plan to cut the national deficit cites the cost of health care as "the biggest factor behind projections of unsustainable deficits in coming decades." The plan to revise the failing health care system under the new administration will require "investments in disease-prevention programs." The nation cannot survive, physically or financially, without a plan for prevention.

When a doctor prescribes a medication, most patients fill the prescription, pay the copayment, and carry out the doctor's wishes. When a certified holistic health counselor prescribes, "Let food be thy medicine; let medicine be thy food," why not fill that prescription, pay the extra 30 cents copayment, and carry out the practitioner's wishes? The benefits far outweigh the investment.




Jennifer Kelly,CHC, AADP is a Board Certified Holistic Health Practitioner and founder of Feeding Your Life Holistic Health Care, located at McNally Family Chiropractic and Wellness Center in Kings Park, NY. For more information on individual and group holistic health counseling, visit feedingyourlife.com or call 347-564-3600.




Monday, January 16, 2012

Aniekan Udofia - You Think You Know, But You Don't


Stand in any metropolitan corridor and ask the art scene denizens there what they know about Aniekan Udofia. Some might list the 33-year-old among the most talented visual artists of his generation, with national attention on his work in hip hop magazines such as XXL, Vibe and The Source.

And on a local level, others might even christen the Nigerian artist as "the face of the D.C. art movement that mixes political themes with a hip-hop aesthetic." But no matter what you hear, Aniekan will tell you himself they only scratch the surface of who he really is.

For starters, meet his parents, Dr. George and Edna Udofia. They came to the U.S. from Nigeria for school while Civil War raged back in their home country (the Nigeria-Biafra War lasted from July 6, 1967 to Jan. 15, 1970). Nigerians first came to the United States to attend American universities, intending to return home, writes Kalu Ogbaa in his book "The Nigerian Americans." But for the first time in Nigeria history, the civil war "became the cause of immigration, and more students from the war-ravaged Eastern Nigeria easily made good cases for their immigration to the United States." So George and Edna studied law and nursing, respectively, at universities in Washington, D.C. They settled down and started a family. Aniekan, the second of five children and the first son in the family, was born on Nov. 26, 1975.

Ogbaa, professor of English and Africana Studies at Southern Connecticut State University, continues: "The gloomy sociopolitical and economic conditions in Nigeria resulting from their civil war were so unbearable for Easterners that everybody wanted to flee the country." By 1980, the number of Nigerian immigrants in the U.S. rose to 25,528. In addition, the emergence of military dictatorships, the abuse of power and denial of human rights also led to a mass exodus of trained personnel in university institutions from Nigeria. By 1990, the number of Nigerians in the U.S. more than doubled to 55,350. But instead of following the trend, George and Edna decided to whisk their children away from their birth place in Northwest D.C. to Nigeria's Akwa Ibom state in 1982.

Aniekan, who was 7 at the time of the trip, is of the Ibibio people, one of more than 250 ethnic groups in Nigeria - the three most popular being Yoruba, Ibo (or Igbo) and Hausa-Fulani. Located in southeastern Nigeria, mainly in the Cross River state, the Ibibio are rainforest cultivators of yams, taro, and cassava. They export mostly palm oil and palm kernels; they're also noted for their skillful wood carving.

Back in Nigeria, George taught French in high school, and Edna was a health educator. They had high hopes for their first son, Aniekan. "As a patriarchal society, sons are trained to be strong and assertive and to develop leadership qualities that will enable them to inherit the leadership roles of their fathers at home, should such fathers die or become old, ill, or infirm," Ogbaa writes. In addition, "They are supposed to be providers of their family members' needs and to give them security as well as emotional and economic protection at all times." According to Aniekan, his parents thought he was destined to go to college and major in something more practical than art, or pick up a trade and work with his hands. But instead, he embraced a movement from overseas.

Having grown up on highlife, a musical genre that originated in Ghana in the 1900s before eventually spreading to Sierra Leone, Nigeria and other West African countries by 1920, Aniekan was familiar with legends such as Ibo highlife innovator Sonny Okosun and Victor Olaiya, a Yoruba singer and trumpeter. But hip hop captured the then-17-year-old in ways highlife couldn't. "It was the expression of it...Even with Slick Rick, how he tells the story," Aniekan recalls. "He's rapping, but it's like he's singing...the art of twisting words." (He likened listening to Kool G Rap, a precise wordsmith, to "playing Tetris at high-speed.") Aniekan's first encounter with the art form was through a friend, who passed him a Kid 'N Play cassette tape in 1992. Other encounters came through friends who got VHS tapes of Yo! MTV Raps from their relatives in the U.S. "We didn't have a VCR," Aniekan says. "It was like one person in the hood had one, so we would all go 15 deep to that person's crib, hang out, watch those videos and get all hype, trying to talk like the guys in the videos."

At the same time, record shops started popping up all over Uyo, a city that became a capital of Akwa Ibom State on Sept. 23, 1987. "You had DJs who had spots like that and they put these big speakers outside," Aniekan says. "That's where we used to hang out." Other hang-outs were barbershops, which usually consisted of a closet-sized space with a chair, a sign, a comb and some clippers. Some barbers were fortunate enough to turn their humble beginnings into a franchise. One such barber was "Big Stuff," who had three shops in commercial areas throughout Uyo.

At the time, it was customary for barbers to commission local artists to create price lists and posters for their shops. Big Stuff commissioned an artist that completely changed Aniekan's life. Through this artist, the budding hip hop head would understand the power of expression through illustrations. "It was a guy named Arabian...He would do shit and you would just look at the piece [amazed]," Aniekan says. "He had a lot of creativity." He recalls Arabian incorporating hip hop styles, with guys dressed in hoodies and posing in the stylish rides of the time. "The style was so crazy the way he did it. Every last one he did was different." There was a price list, where a guy had a finger over his mouth while another hand pointed to a price list painted in what looked like a hole in the wall. Another one was an illustration of three guys posted up outside a well - one guy on a cell phone, the other on look-out while the third pulled a price list out of the well. "His imagination was just something crazy," Aniekan says. "Crazy!"

However, his hopes of finding a mentor in Arabian were dashed when they met in 1995. Until that point, Aniekan would walk around with a sketchbook, looking for work that Arabian illustrated. "I would go try to copy it and practice at home," Aniekan says. Noticing the young artist's interest, Big Stuff gave Aniekan an Arabian piece from his shop to take home and study. "So I went and studied it and tried to figure out how he used the color, what kind of color he was using." ("Was it watercolor or crayons?" he wondered). This was between 1994 and 1997, what he called his "study era."

It's the era he practiced the "photo-realistic" style of drawing. He experimented until he came up with his own style of drawing faces with color pencils and ink, and then pasting them over a different background. He was anxious when Big Stuff took him to Arabian's home in 1995. "When I finally met him, I was all groupie-fied," Aniekan says. "I get to meet him and I'm all shy." The magic soon wore off, when Aniekan said Arabian had promised to draw him something. "He never really got around to it. It just turned into me constantly going over there and him blowing me off."

He turned that discouragement into determination and set out on a one-man mission to figure out how Arabian did it. In the process, Aniekan slowly made a name for himself by drawing various haircut styles and selling it to barbers. He started coming up with his own concepts for barbershop posters. In an earlier creation, he took a piece of board and drew a hand cutting hair with an arrow pointing in the direction of the barber's chair. "People would see it from down the hill and they would know a barber was right there," Aniekan recalls. In exchange, the barber gave him $50 for the poster. Aniekan's aim was to get his name, like Arabian's, all over Uyo. He soon became a sought-after artist among local barbers asking him, "Yo, could you draw me some haircuts or whatever."

His popularity, however, wasn't enough to impress his parents, nor quell their desires for him to fulfill his duties as first son. "I went to technical schools [and] vocational schools; they were trying to change my mind," Aniekan says. But everywhere he went, he saw people as passionate about their fields as he was about art. During the 17-year battle with his parents, he wrote letters to an aunt that lives in D.C. After several correspondences, she granted his request by sending him a plane ticket to come and try his hand in the U.S. art industry. He came to D.C. in 1999, at the age of 24. Since he's been here, he's captured the national attention of clothing designers and magazines - no longer the new fish splashing around in the national art scene. He's created designs for And 1, an urban athletic wear company, and was the premiere artist for the D.C.-based Native Tongue Urban Apparel line.

In addition, his works have been featured in various urban publications such as Rime, Elemental, DC Pulse and Frank 151. His illustrations also graced the album covers of hip hop artists such as Critically Acclaimed and Flex Mathew, as well as the covers of books and hip hop journals.

In 2004, Aniekan joined Artwork Mbilashaka (AM) Radio, a loose band of four to 10 visual artists and a DJ. They're contracted by corporate clients to create a 7 x 5 artistic interpretation of their logo in front of a live audience. As a part of this group, Aniekan worked on projects for clients including Red Bull, Heineken, Honda, Current TV, Timberland and Adidas.

He uses hip hop themes as social commentary on issues he feel are left lingering such as religion, gender wars ("Is homosexuality right or wrong? Who's to choose?") and racism. They also focus on American consumerism. In one of his controversial pieces, former President George W. Bush is in several poses, holding machine guns. On his shirt: "Got Oil?"

Some of his work was controversial enough to draw criticism from viewers, and some galleries have even asked him to take down his paintings. Even still, his style of "telling the truth" is one most people can appreciate. In a June editorial review, Rhome Anderson (aka DJ Stylus) likened Aniekan to a local treasure. "From murals around town to his live improvised painting at musical events, Udofia is as much a fixture in the urban arts scene as the DJs, vocalists, producers and musicians," Anderson writes on washingtonpost.com. "As part of the Words, Beats and Life's 'Remixing the Art of Social Change' teach-in, Udofia was commissioned to craft a completely new series of pieces."

On a Tuesday afternoon, Aniekan is hard at work on a new commission. His one-room apartment on 17th Street NW doubles as his ware house and art studio. Cross the threshold and you walk towards a stash of comic books neatly stacked alongside various hip hop and art magazines. Look around, and you'll see a work-in-progress set on an easel in the middle of his kitchen - artwork lining the wall along the entrance, above his cabinets and into his bedroom. His most recent show, The Sickness 3, opened at Dissident Display on H Street NE in June. Aniekan wanted the show to be a departure from his popular hip hop-themed works. His peers' reactions varied. "It was good and bad. There were some people who were like, 'I'm not feeling this new, monochromatic, one-color-themed, crazy stuff,'" he recalls. "But then there were people who were like, 'Wow! That's actually dope.' It's a stretch and I feel I need to tend more towards that side."

Looking around his kitchen, a reporter noticed a photo of Fela Kuti, the Nigerian multi-instrumentalist musician and composer. In the artwork, three different Felas take on different hues - a blue Fela looks up at a black and white Fela who's playing a saxophone. In the background, a silver Fela raises his arms in a victory pose through an outline of Africa. When asked if Nigeria or elements of his Ibibio tribe ever work their way into his paintings, Aniekan looks up from a sketch to carefully consider his answer. "If I choose to do a specific back home kind of theme"-such as the EVOLUTION OF CULTURE show, which opened April 3 at Wisconsin Overlook on Wisconsin Avenue NW- "that's when I usually bring out those traits of where I'm from," Aniekan says. "It's more of a choice."

It's a choice he feels that musicians and other artists should have the right to exercise without being labeled cultural sell-outs, or worst. Take Fela, the Afrobeat music pioneer and human rights activist. He didn't start out as the political maverick he's known as today. "He was into music...he started off with highlife, which he grew up into," Aniekan says. When Fela noticed some social and economic issues went unaddressed, his music became his bullhorn - "where he started just banging on the presidents" and corrupt politicians. "That took him to another level," Aniekan says. "He wasn't writing just about Nigeria; what he wrote was pretty much Africa, itself, and the world."

That connection with the world is what Aniekan is looking for with his art. He knows If he puts his art in a box labeled "African art," it would narrow the scope of his work. The same thing if he only did "hip hop" paintings. So what does he do? He pushes himself with each painting. Aniekan says, "As a visual artist, it's for people to see your progression."




For more information on Aniekan Udofia, or to see more of his work, visit him at http://www.myspace.com/aniekanudofia. You can also visit his MySpace and Facebook pages to keep up with the "Sickness" series.




Tuesday, December 27, 2011

Milk And The Dairy Industry - They're Not As Wholesome As You Think


"Milk does a body good"
"Milk - nature's perfect food"
"Everyone needs milk"
"Milk is not just for kids"
"Milk is a natural"
"Got milk?"

If you were born and or raised in America, than the above slogans have likely become an unshakable part of your belief system. For myself I can say that my bias in favor of milk and dairy was almost a religion. According to the white mustached athletes, celebrities and movie stars, milk is an absolute necessity for strong muscles, bones and teeth.

When you stop and think about it, what is more American than milk? Just pour yourself a cold glass and gaze at it for awhile. Its satin like white texture is so pure and wholesome that one would imagine that the wonderful nectar must have been sent from heaven, Right?

Well, not exactly. I am pretty sure that heaven did not send a product that makes over seventy five percent of the world positively ill. That's right. Over three quarters of the human inhabitants of planet earth are lactose intolerant.

When folks who are lactose intolerant continue to ingest dairy products they will surely begin to suffer from a wide range of symptoms including, but not limited to, abdominal cramps and bloating, chronic runny nose or post nasal drip, diarrhea, gas, and puffiness under the eyes.

Many doctors now agree that cow's milk may cause anemia, a variety of allergies, heart disease, gastrointestinal bleeding, arthritis, osteoporosis, diabetes, asthma, multiple sclerosis, and more.

Please remember that when you drink the milk from a cow you are actually drinking the "maternal lactating secretion" (The Milk Letter: A Message To My Patience Robert M. Kradjian, MD) from a mother meant for its offspring. The fact that the offspring is a baby calf ought to make reasonable people think. Reasonable people should consider the fact that baby calves grow rapidly to weigh as much as one thousand pounds. Besides this they are weaned from their mother's breast at a very young age so the practice of ingesting their mother's milk is very temporary.

Unless you are a baby calf who intends to weigh between eight hundred and one thousand pounds, and unless you intend to drink this liquid for a very short time in infancy, then you should not find it strange if milk makes you sick. If you do not fall into the above category - that is you are not a baby calf - then you should expect to get sick when you drink milk from a cow.

We should also remember that our view of milk has not been shaped by good medical science but by a long sustained and heavily funded advertising campaign. It should also be noted that the National Dairy Council has funneled huge amounts of campaign contributions to many of the most powerful congressional leaders so you can be assured that milk and dairy ads will continue to be viewed as more of a public service than an ingenious advertising campaign geared to sell us a product.

Having myself grown up in America, my thoughts about milk and dairy have been purchased through a relentless onslaught of masterful advertising campaigns. Even now that I realize how skewed were my imaginations concerning the milk and dairy industry, I still have a hard time accepting that these folks do not actually have my best interests at heart. I have a hard time shaking my image of a fat cow, eating grass in front of a picturesque red barn, its tail wagging in excited anticipation of the next milking.

It's hard for me to accept that the big brother like dairy organizations are in reality about the most brutal industry imaginable. I mean they come off like they are almost angelic. However, it is not angelic to repeatedly rape a cow through artificial insemination so that they can produce twenty five times the milk that they are naturally capable of producing, then steal the baby calf away from its whaling mother right after birth and slaughter the young offspring (after a bit of torturous confinement) to provide your next veal cutlet. Every dairy cow on a farm factory exists in the most foul conditions imaginable and when their pain racked bodies are spent they will be slaughtered in such a barbaric fashion that the word "slaughter" is not a strong enough term to do this process justice.

This whole realization was very difficult for me to accept. As previously mentioned, I grew up thinking that milk was just about the most wholesome food on the planet and that the folks who produced it were just as wonderful.

I did not readily accept what I now know to be fact. The disappointing truth however, is that if any honest soul should research the issues surrounding milk and its production, they will find truckloads of evidence that will convince them that they have been duped by a very powerful American institution.

We have been systematically brainwashed through billion dollar advertising campaigns, massive promotion, blatant lobbying, so called "nutrition education", and sustained public relations efforts. This has been a relentless campaign and masterfully orchestrated, and it has caught literally everyone in its web.

My challenge to the reader is to be a responsible consumer and humanitarian, and do not take my word for such weighty issues. Study the evidence for yourself, but please do not gather your data from the USDA or the dairy industry because surely it will be impossible to find any semblance of unbiased truth there. There are a fast growing number of medical doctors and scientists who are coming out with the truth concerning the health risks of dairy as well as some nasty little discoveries about what is actually swimming around in the glass of milk you are drinking.

My humble advice to you is to put down that glass of milk and slowly move away from the table. Find out the truth about the dangers of human consumption of cow's milk before you drink another drop. Once you have found out the truth, I hope you will join the many who have made the healthy choice to quit drinking milk - forever. It's the right thing to do.




I am passionate about health issues, and the state of the health of our wonderful America. I believe the American diet is literally killing us and that a steady flow of money and perks from the meat industry to the U.S. government is the reason we have had a long sustained brainwashing campaign that has precipitated the shift from a predominantly plant-based diet to an animal-based diet. The result has been an unprecedented increase in heart disease, diabetes, stroke, and cancers of all varieties. I believe Americans are suffering from a lack of truthful information concerning our diets. I enjoy writing motivational articles that will help to correct the problem regarding this lack of information and also examine the prevailing misinformation in the light of truth.

Healthy Vegetarian Choices For Life
Dedicated to the advancement of informed choices that will benefit our health, our environment, and our animal friends. Please visit my website at http://www.ourhealthforlife.com and look around awhile. I would very much appreciate comments concerning your reaction to what I have written as well as any input that might aid me in the task of making my site more helpful. I thank you in advance for your consideration.




Thursday, December 1, 2011

Were National Parks the "One Good Thing?" Think Again


Today we think of government and corporations as big and impersonal. But then, and now, the people who run things are relatively small in number, a club. The Club follows its own rules, rules from a book nearly a century old, which mandate two standards of behavior, kindness, honesty and concern for Club members, real people, and an entirely different set of rules for ordinary Americans. Normally members of the Club do not discuss the difference in standards. But one member of their club did so, with stunning candor.

Edward Bernays said this about his use of propaganda, which he had deftly repackaged as public relations. "(The) American business community was also very impressed with the propaganda effort. They had a problem at that time. The country was becoming formally more democratic. A lot more people were able to vote and that sort of thing. The country was becoming wealthier and more people could participate and a lot of new immigrants were coming in, and so on.

So what do you do? It's going to be harder to run things as a private club. Therefore, obviously, you have to control what people think."

Bernays clients were, for the most part, the large industrialists who wanted to sell product which Americans were resistant to buying. Using this simple plan of execution Bernays changed our diet, introducing a hearty breakfast with bacon as a nutritional improvement, persuaded women to smoke, and accustomed us to accepting his carefully selected 'experts' instead of thinking for ourselves. He viewed manipulation of opinion as both the road to riches and a fascinating intellectual challenge.

Edward Bernays, a close relation of Sigmund Freud, viewed ordinary Americans as 'a herd,' needing guidance from an enlightened elite. Such guidance was provided by appealing to what he identified as 'need for security,' 'self-preservation', 'aggression,' or ' sex.'

Bernays can be viewed as an early Leo Strauss, originator of the justifications used by Neoconservatives, who instead of creating a 'philosophy,' cherry picked 'expert' opinions without associating himself with any specific institution. The outcome is the same, in either case.

Edward Benarys and Robert Sterling Yard operated using the same standards. Robert Sterling Yard designed the PR campaign which sold Americans on National Parks as resorts.

Beginning in 1915, the campaign persuaded Americans lands held in perpetuity for them should be used to build high end hotels, following the elite model of Europe. A practiced public relations expert, Yard, paid partially by government and partially by the new Park Director, Stephen T. Mather, produced a book, also issued as a series of small booklets, on the National Parks. Other members of the Club, for instance the head of the National Geographic, also assisted.

As you leaf through the "The National Parks Portfolio," available on-line, photographs of resort hotels resembling those found in Europe far outnumber photos of camp grounds. The building of roads and travel by automobile are strongly encouraged. Feeding the wildlife made the Parks seem like an outdoor zoo without bars.

The materials read like promotion for a time-share. They were aimed at ordinary Americans who knew little or nothing about the raging debate, only recently stilled by the death of John Muir in 1914, on conservation (orderly use of natural resources) and preservation (wilderness kept in its natural state).

The appointed head of Parks, Stephen Mather sold the plan using rhetoric glowing with superlatives, asserting the idea the public should view these wilderness areas as their personal 'resorts,' where they could encounter the world of nature while expecting the comforts of home. Would Americans have decided to take this step if the issue had been presented honestly? We will never know.

It was Mather's proven ability as an adman along with his wealth, which moved Franklin K. Lane to appoint him.

The original notion for National holdings of land was to reserve some limited land in perpetuity, as it was before Europeans arrived and such practices as hydrological mining and clear cutting of forests had remade the landscape of much of California, and North America. Not Conservation, but Preservation.

If the America had been a nation of people managing their own destiny and making their own decisions the issue would have been presented to the American people directly. Instead, Americans were presented with a public relations campaign, resulting in passage of the Organic Act in 1916, establishing a separate body to manage the Parks. Previously management was shared between three agencies.

The Club

The Club was not large, then or now. When you dig into the details, personal relationships pop up like mushrooms. It was a small, exclusive, club, very much as Bernays' quote indicates. The policy on Parks originated with Stephen Mather, who, with the help of his friends molded opinion and controlled what Americans believed.

Who Was Stephen T. Mather?

Stephen Tyng Mather was a descendant of Cotton Mather, the Puritan minister involved in the 1692 Salem Witchcraft Trials. The Mather family later relocated to Connecticut. Stephen's father, Joseph W. Mather, suggested his son for a job with Pacific Coast Borax Company, for whom Joseph ran the New York office, in 1893. Stephen Mather had been working as a reporter for the New York Sun since soon after his graduation from UC Berkeley in 1887.

Robert Sterling Yard stood up as Best Man for Stephen T. Mather's wedding on October 12, 1893. The two were friends of long standing.

Mather was hired as advertising manager for Pacific Coast Borax Company, first in New York, and then at the main branch in Chicago. Mather, a talented writer and adept at enticing public interest by positioning products, proposed adoption of the theme, "20-Mule Team," which dramatically increased company sales, and ran the ad campaign. In Chicago he met the man who would be his partner in Sterling Borax, Thomas Thorkildsen.

Thorkildsen, younger slightly than Mather, was a first generation American, the son of a Norwegian lumberjack from Wisconsin. Both Mather and Thorkildsen were skilled with sales. Thorkildsen reported to Mather as his superior. It was reported Thorkildsen suggested the two men share funds skimmed from their employer. These is no evidence Mather mentioned this proposal to Smith. Smith discovered Thorkildsen backdating orders in 1898 and fired him.

Mather and Thorkildsen then joined in a covert partnership. Mather continued working for Smith and so had access to his employer's customer base while the two established a company, Thorkildsen-Mather Borax Company, of which Mather was president, in California. Mather, using his salary, provided funding, as Thorkildsen worked to establish Borax holdings in Ventura County, CA.

In 1902 Mather suffered an psychological break-down and was institutionalized for a period of time. Smith refused to continue his salary, of which, Mather complained. Soon Mather ended his employment and began publicly working with Thorkildsen in California, their company became profitable around 1905 and its name changed to Sterling Borax. In 1911 Sterling Borax was sold to Pacific Coast Borax for what today would be $500,000,000. Mather and Thorkildsen shared the profits and also received salaries from Smith for ten years.

No mention of the impact this scheme had on Smith's company was found but Smith's company was bankrupted soon afterward. Francis Marion Smith started again and recovered his wealth, spending much of it on charities.

Later, the Mather and Thorkildsen justify their behavior toward Smith for various reasons.

For the purpose of writing this article I contacted three long time, respected businessmen, their careers in stock brokering, sales, and mining, and outlined the actions of Mather and his partner without using their names. Each man condemned their actions as unethical and possibly legally actionable.

According to an article, "Borax King Cleaned Up, but Died Washed Up," published in the Los Angeles Times, March 12, 2000, written by Cecilia Rasmussen, Thorkildsen used physical threats to discourage competition and engaged in outrageous personal behavior which scandalized Hollywood. The two men remained friends and Thorkildsen was introduced to Mather's other friends and associates as he became involved in government.

The Park Service Public Relations Campaign

The National Park Campaign began in 1915 but the forces which determined its form were in motion much earlier. The appointment of Franklin K. Lane, as Secretary of the Interior, was a political pay-off by incoming President Woodrow Wilson, made to ensure Wilson's election. The Hetch-Hetchy would become the water supply for San Francisco, spending its crystal waters to start the flow of profits from lands awaiting subdivision around the city, according to Gray Brechin in his book, "Imperial San Francisco," page 110.

Mather was offered the position of Director for the National Parks by Lane in early 1914. Despite traditions to the contrary, Lane was not previously acquainted with Mather personally and no letter was written by Mather resulting in the appointment. The recommendation came through a mutual friend, Adolph Miller, formerly a professor at UC Berkeley who accepted an appointment suggested by Lane in the Wilson Administration.

Horace Albright is admitted to the Club

Horace Albright, then newly graduated from UC Berkeley, had been working for Miller at the time Miller accepted the position as Assistant Secretary of the Interior. Miller invited Albright to come with him to DC as his assistant. When Miller moved on to a position as Governor for the Federal Reserve System the next year Albright remained at the Department of the Interior. Lane suggested Albright to Mather as an able assistant, in his position as Director for the Parks.

Initially, Albright hesitated. He was engaged to be married to woman living in San Francisco and planned to return and start a law practice.. Mather's proposal to him changed this. Albright reported in his book, "Creating the National Park System - The Missing Years," feeling elated at being part of the vision Mather enunciated while reluctant to delay his marriage. He agreed to stay on for a year, the term Mather set as his own time limit for the work.

Albright had been raised in Bishop, California and had hardly left there until beginning college at UC Berkeley in 1908. His parents were hard working and used every opportunity to enlarge the opportunities for education available to their children, but lacked the resources to support Horace in college. Albright worked to pay his living expenses and educational costs himself and luxuries were few. His relationship with Mather, who was always prepared to pay for incidental luxuries, enlarged his experience, showing him a very different world. Mather augmented Albright's government pay, a practice legal until 1919.

Mather could be the soul of generosity, awakening in those who knew him strong feelings of obligation and loyalty. His expenditures included a club house for the Park Rangers in Yosemite in 1924, which advanced his popularity enormously with a group not usually provided with such perks.

The first time Mather met Grace, Albright's fiancee, she and Albright were his guests for dinner at the Palace Hotel in San Francisco. Albright reported, "In one hand he (Mather) had a corsage of roses and, in the other, a small box. He handed both to Grace and laughingly said, "I don't know how Horace could ever have been lucky enough to get you. I wasn't around at that time, but I wish you all the happiness in the world." Inside the little velvet box was a small Tiffany brooch, silver with a diamond in the center."

Mather said, when accepting the job, he wanted Albright as his assistant to, "keep him out of jail." Mather, it turned out, was not entirely joking.

Mather brought the same values and ethics to government he had demonstrated in business. His style was autocratic and impulsive. He personally decided on a corporate monopoly to run each Park. This approach was adopted in opposition of advice from such men as Fred Harvey of Fred Harvey Company, whose experience with serving the public began in 1875 with service run in conjunction with railroads across America. Harvey advised against absolute monopolies.

Mather persisted, causing a series of disasters within the Parks, starting with Yosemite.

Mather ignored the causes of problems existing in the National Parks. Many of these were the result of government mis-management. For instance, in Yosemite Mather complained concessionaires, such as David Curry of Camp Curry, had inadequate septic systems. But concessionaires could not finance expensive capital improvements without an assurance their loans could be repaid and these had been withheld for decades. Those in charge, including Mather, ignored repeated requests for licenses to do business longer than one year, granted only at the beginning of the year.

Mather consistently abused the power entrusted to him, causing harm to people engaged in doing business within the Parks. He evidenced strong likes and dislikes, which appear to have driven his actions.

In 1915 Mather unilaterally gave the concession in Yosemite to J. Desmond, who started a corporation in which Mather and his friends covertly invested. Mather granted a twenty-year exclusive concession and also allowed the sale of liquor, forbidden to all other concessionaires, to ensure Desmond every possible avenue for success.

Desmond had no experience in running hotels or providing food services to the public. The corporation went bankrupt and Desmond departed to be replaced by A. B. C. Dahrmann, who as president of the next incarnation of the original Desmond interests, was quoted by the Stockton Record in 1924 as saying, "The California Sierra is one of greatest undeveloped resources in the golden state."

At the beginning of 1917 complaints and problems were increasing. At the close of a conference in January Mather suffered an 'emotional break-down' and was institutionalized for a year and a half in a posh facility, described by Albright, "It was a lovely large home, tucked into green lawns and lush forested land." The next chapters describe Albright's efforts to ensure Mather is not subject to any pressure or problems.

Mather was not fired. Instead, his assistant, Horace Albright and others covered for him. The breakdown and his financial involvement with Desmond was admitted in Albright's book,"Creating the National Park System - The Missing Years," available for reading online. Albright knew what had happened and suppressed the facts. See Chapter 17.

Mather suffered another break-down in 1922, according to Park correspondence. Again, Albright and others covered for him.

Mather's business background and emotional instability should have raised questions on his suitability for any position within government. Mather was, however, a member of the Club, wealthy and connected. Therefore his interests and well being were a priority in the bifurcated system then being established.

While rhetoric was used routinely to deceive, as proven so thoroughly by Edward Bernays, examining the actions of individuals reliably reveals the truth.

How did the Club view ordinary Americans?

The Club operated on the view Americans, 'the 'herd,' were to be managed with lies. These events illustrate the world view, reflected in the propaganda used by Yard and later by Benarys, on behalf of both government and corporations, reinforcing the ugly truth of the quote from Bernays cited earlier, "So what do you do? It's going to be harder to run things as a private club. Therefore, obviously, you have to control what people think."

The subtext is this: The only people whose property and well being matter are members of the Club. Albright's behavior illustrates the degree to which he had adopted Club attitudes and beliefs.

As these events unfolded Mather received enormous attention and concern as his emotional condition becomes impossible to ignore. This reflected in Albright's book and in correspondence within the Park Service. At the same time, the well being of those viewed as "just ordinary Americans," was ignored, as in the case of those concessionaires such as Curry who objected to the theft of their years of time invested, the train of arbitrary demands issued by Mather and disregard of the conditions created by government mis-management.

Albright's comments, and lack thereof, at the time of David Curry's untimely death in April of 1916 and further justifications of behavior by Mather, which Albright later realizes pointed to his emotional instability, further illustrate the point. See link above,"Creating the National Park System - The Missing Years," chapters 8 & 13.

Horace M. Albright had been, not surprisingly, seduced by the privileges of power and was now a member of the Club.

In the interests of full disclosure, now nearly a century after these events took place, a full examination of the records is called for. While writing this article this writer attempted to access the Superintendent's Reports for Yosemite from 1916 - 1926. The reports from 1906 - 1915 are clearly available and complete and in our files. Those from 1916 - 1926, covering the years when Mather and Albright's management most demands examination, are fragmented. Parts of monthly reports appear to have been eliminated.

According to George A. Gonzalez in his book, "Corporate Power and the Environment," published Rowman and Littlefield, 2001, Albright received gifts from John D. Rockefeller, Jr., beginning in 1926. Gonzalez also reports Albright's home in Washington D. C. was partially funded by a gift from David Rockefeller as Albright continued up the ladder of success after Albright left government service, moving on to work in the matrix connecting corporations and government, unfailingly courteous and kind to those who had assisted him.

According to the Albright's daughter and co-author, Marian Albright Schenck, writing in the Introduction to the book, "Creating the National Parks, The Missing Years," Albright reviewed every letter and document and considered destroying materials while in the process of its writing. In the end the story of years 1917 - 1919 is told in a form while the reader takes away the sense much remains unsaid. Albright's acts in covering for Mather, during this period and later, bring illustrate how in a short period of time an individual can accept the idea a small elite can rightfully abuse power. His later history only raises the level of probability Albright's concerns were also for his own position as an attorney in the employ of government engaged in a cover-up.

Co-author Marian Albright Schenck wrote,"My father worshiped Mather and wanted to do nothing to damage his name." While her sentiments are understandable, she after all, grew up as a member of the Club through her father, evasion of the facts is not acceptable. Americans have a right to know.

A baronial system displaced a representative Republic, beginning in the first decade of the Twentieth Century. Inherently hierarchical, it was comprised of corporate interests and the more elevated levels of government. Those involved believed they were justified in deceiving the American people, acting out the openly enunciated beliefs expressed by Benarys, and slightly earlier, by Robert Sterling Yard. These self-identified interests in government and corporate America began to install gatekeepers, and routinely limit what Americans could know. Spin and propaganda displaced open dialog and disclosure of facts as the standard.

The bifurcated system which confronts us today was being solidified in outline and attitudes in the first and second decades of the Twentieth Century, its pattern perpetuated by the very different treatment accorded 'members of the Club' and 'ordinary Americans.'

Today, Americans face proposals the Parks be sold to pay for the profligate behavior of those same Club members. As millions suffer foreclosure and Main Streets ask in vain for help, banks and other corporate interests, other Club members, receive the sympathy and open support of Congress. The term, 'Barons of Industry,' is not a phrase, but a correct assessment of the system which was once America.

It started much earlier than you imagined and in the places you most trusted.

Debunking the excuses: Lose Your Illusions, No. 2 - Coming Soon.




Melinda Pillsbury-Foster is the founder of the Arthur C. Pillsbury Foundation, an educational site dedicated to extending the legacy of her grandfather, an early social visionary, inventor, and environmentalist. She is presently working on two books, a set, titled, Real Freedom, and Revoking the License to Steal.